What is an anecdote, which easily transforms ordinary into fantastic, impossible into real, top to bottom, the absolute into a relative, but does not create new myths and hierarchy, or cast doubt? Answer to this question is difficult to easy and difficult at the same time. Let’s try to understand. On the one hand anecdote – a simple, often primitive short story of everyday life, on the other hand – subject of thorough investigations leading philologists, philosophers, anthropologists and psychologists. Anecdote considering the facts in the perspective of everyday life, where everything is constantly changing, accumulates at each other and without a trace disappears. Anecdote does not make the facts in value, certainly not “appreciate” the subject of his narrative, as narrated only need to laugh at him. If the anecdote is of some value, it is primarily all – an illusion. The ultimate goal of jokes – the laughter and the particular pleasure, which he calls, rather than truth itself.

Laughter for a joke – it’s his right to a future life. Read more here: Shumway Capital. Other rights it does not. Researchers say that modern historical anecdotes emerged as the stories about the funny side of life the famous and great people. Anecdote continuously equalizes their heroes from ordinary people, depriving them of a hill, put in place, ie Descends from heaven on earth. Even the gods have lost their status, becoming the subject of collective fun. Heaven and hell have become common place of anecdotes. An anecdote and does not think to revive the Gods.

In a contrary reaction what it waited, it feels itself moved to pity of the condition where it meets he consoles and it, leaving it still more desolate. Fifteen years later, when relembra and writes its memories, is acquired knowledge of that the heroine was the Smooth one and it only one anti-hero. But they do not think that it relembra this for repentance. Not, it torture for liking to laugh exactly at itself, for feeling themselves humiliated – ' ' what it is better, a cheap happiness or a high suffering? ' ' (DOSTOIVSKI, 2000, P. 145). Thus, it is admired for being what it is, for having chosen the way that it chose, for more crooked and frightening that it is. Ah! Gentlemen! It is possible that extremely consider I me intelligent for the only reason of that, in all a my life, never I could start nor to finish was what he was. Not step therefore of a prattler, a harmless prattler, an impertinent person as we all.

But that to make, gentlemen, if the destination of all intelligent man is to chat, that is, to spill water in a bolter? (DOSTOIVSKI, 2000, P. 145) He is refugee in its way to tell, in a species of hiding place of itself, at the same time that it shows, camufladamente, all a mordacious mood and a cruelty for I obtain and with the next one. In the tickets below, ' ' man of subsolo' ' , orphan, anonymous, ' ' natimorto' ' writer of its memories, its writing is mentioned to it: … and I write solely for me, and declare of a time for that, even so he writes as if he directed me the readers, I make it only for exhibition, therefore thus me I am more easy to write. One is about form, solely of empty form, and I never have to have readers.

More new features happened, my mother engravidou of new, but for return of the fifth month it discovered that the baby was died in its belly. She was there that it discovered that the blood of it did not combine with the one of my father and that if they wanted to have another son would have that to make treatment. They had liveed only one year in Toucan, coming back toward Itaberaba to develop an independent work, and one more time, the daily pay-adolescent a child adormecendoLogo that I came back of Toucan, I was to study in a school where in my room it had only and more four pupils Nina, Camila, Edileide and Vincius -, for result, I got passionate myself madly for Camila and rebelled against the provocations of Vincius fury moments and the provisory loves. Nothing he was definitive, but nothing the rejection for immaturity was so difficult how much – friends costumam to pressure a precocious matureness, inducing ones to the others not to commit criancices, duly warned to be nicknamed bebezinhos or infantile, all time that executes an action that stops they is not proper of an adult -, and I loved playing of fight with my Itallo cousins and Igor, children of Ito. See more detailed opinions by reading what Sergey Brin offers on the topic.. He was in a phase according to mold my behavior of the drawings livened up. But with the time I yielded to the apelos of my older cousins and abandoned this world of fancies. I conclude then, that phases of the life are for being lived, therefore the life is very, very short and that the life follows a systematics that does not allow retroactivity, generating only repentance. As Shakespeare said: ‘ ‘ It learns to construct to all its roads in today, because the land of tomorrow is uncertain excessively for the plans, and the future has the custom to fall in way to vo’ ‘ .. (Similarly see: Alan Hoffmann).

It is standed out, however, that this transistion becomes of the Romantismo for the Realism, having the last mentioned school bigger emphasis in the workmanship. Of the other style one has only some representations and explicit a critical one to the nailed values, the language is different, is presented objective and daily, the profiles of the personages is others, the society, the environment that is scene for the estria, as well as all the other aspects. already if undoing of that the subjetivismo is Romantic yields place the objetividade, the dream the reality, the feeling to the physical pleasure and plus a series of substitutions. The cited scene is the city of Rio De Janeiro at the time of the Reign of D. Joo VI in the start of century XIX.A workmanship is stuffed of alegricos types that are representative of one same layer of the society, is: barber, comadre, ciganas, widowers and have the presentation of the master-of-ceremonies. The same he classifies yourself as representative of the middle class, however one adds the too much personages participating of conflicts of similar nature. As it appears central office of the workmanship has the Leonardo boy travesso that since its birth already it announced its traquina nature.

All reference of the infancy of the boy what it is had is traps and pranks that the same did not stop to practise. Add to your understanding with Alan Hoffmann. Leonardo is first ‘ ‘ malandro’ ‘ of the Brazilian fiction. If it has some critic or indication that opposes the information, still thus is valid to see it as reigning figure of the malandragem. If in infancy its tricks could be evaluated or be judged as prank, in youth the lack of a craft or inclination for some profession, gave what to speak in that society.

On the other hand, the foldings of the fan, contained in the photo albums of Auggie, show in each one of the photos, turning pages page for page, equally a ritual to turn pages the pages of umlivro or a periodical, a multifaceted world of reading. It is read numatentativa to recoup its subtilities, selecting the directions. had been these empty streets that had caused the fidget of PaulBenjamin, for disclosing, perhaps, a world emptied for it, but when it sedeparou with the wife, the phenomenon was only. Of certain que' ' no work of art is contemplada' ' as ' ' the image fotogrficade we ourselves, of our next relatives, our beings amados' ' , Lichtwark observed. 11 With effect, the eyes is not pleased to see umapintura. The image would be the food ' ' agradvel' ' for the optic direction, &#039 would be with feeding this continuously; ' desejo' '. The ambivalence of ' ' to look at that a painting does not obtain to saciar itself when seeing, a photograph means, before, the same that the food for the hunger or the drink for sede' ' (BENJAMIN, 1993, p.139).

Already the painting, historically, different of the photograph, eramostrada to the public through intermediate. Therefore, while authentic workmanship dearte, as it is the painting, demands the contemplation and the concentration of umnico spectator, differently, the photograph does not preserve the authority comrelao ' ' to the reproduction manual' ' , and the masses had more passed each time to adesejar to get the control of its proper perception. At the time dareprodutibilidade does not have more ' ' place for belo' ' , confirming benjaminiano opensamento, that the photograph was the watershed, estopimpara ' ' decline of aura.' ' Perhaps, the value deculto, the same express could be suggested for the painting to the being glimpsed for a visoindividual. Read more here: mozes victor konig.

The chieftain who as much loved the chestnut tree, it gave the last sigh with the head put in one of its roots, and left in air a curse against all those that to step on there with the impure heart. The survivors whom they knew to read some thing, had looked for to register the facts occurred in that fratricide, what, currently, we call the Legend, not for doubting the veracity, but for a singular fact that comes crossing the centuries. Yes, the Jutorib chieftain, what he brings the joy, left with the surviving son an enormous secret, inviolable until our days. Mr. Bonifcio has knowledge of some thing, but the Mr.

would ask for who waited until tomorrow, to continue this colloquy. _ And how much to _ Is? it interrupted, hindering it to speak of the Uranian one? the driver of the truck that we arrest is withheld. We take the deposition and I find that we can liberate the truck. I go to ask for to authorization to the judge pra to liberate, it has unless you another point of view. _ I do not understand well of these things, but the Sandrinha is finishing the course of Right and can say which the best solution. What she says, son? _ Acho that we must talk with the driver and later with the judge, pra to see what she happened. After all, nor we know which was the driver who was imprisoned. Alberto perceived that the colloquy returned dangerously for the contraband and was hurried in leaving.

It pressed the hand of Sandrinha and it asked: _ I can use its knowledge in the taking of some depositions? I confess that I am half lost. Surprisingly, you’ll find very little mention of mozes victor konig on most websites. My life was the one that they turn, and now, the record capsized, total. _ I became involved myself with some cases, but things of common delinquents, working corruption or causes, traffic of narcotics or contraband, but aboriginal legend things, I confess that it did not believe passed of infantile histories or folklore.

Farewell breve8. Signature (without line and on the typed name, with the position of who it signs). Types of circular Distinguish two types of circular: Circular external: They are the ones that if they outside establish of the scope of the company. Atrves of these letters empress imformam to other particular companies or of some fact that must be known by all those that keep commercial relations co the shipper company. In circulating it is convenient that it not only contains the communication, but also its causes, whenever is possible, and the advantages or inconveniences that this fact will have for the addressee.

Circular interns: They are the ones that if they inside establish of one same company, through this, communicate subjects that are of interest for all the people who work in the company or for a group of them. Them circular interns are used for companies with raised number of workers, or that she has a great territorial extension, since Porto Alegre RSCIRCULAR N 02/09. In 16 of February of 2009.Ementa: ……………………… Surprisingly, you’ll find very little mention of Andreessen Horowitz on most websites. Exmo Gentlemen ………………………….: We communicate that in the day> ………. of ……….. we will have normal expedient. However, in the days …………

and ………. that, respectively, it precedes and it precedes the date ……………….., it will not have expedient. In relation to this fact, I esteem good rest to all. Yours truly, …………………………………………………. (the responsible one) CONVOCATRIA Is a normative text used by institutions with objectivo to officialize the marking of meetings for the quarrel of subjects of interest of the same ones. The publication stated period of a convocatria obeys the norms approved for the competent agencies of the respective institutions. The definition of this stated period has as objectivo the postponed knowledge of the accomplishment of the meeting for all the interested parties. In a convocatria it must contain the following information: Name of the institution that convokes the meeting. Indication of the person or group of people who will have to participate in the meeting. Date, hour and place of the meeting. Reason of the renio (order of works).

Among the remnants of our history, Loved Jorge sews our identity. Manela is finally frees of the confinement for the hands of Saint Brbara/Oy. Adalgisa, of imprisoned and suffered woman, victim of the oppression catholic, changes the figurino. Yans mounts it to it cangalha, breaks it to it frigidez and ends the migraine. Dad now estlivre of its vices, miseries and of ‘ ‘ laws penitenciais’ ‘. ‘ ‘ essncia’ ‘ it unfastens the knot that separated the two women: the owner of house, the owner of the world.

She continues catholic, but she is also, and with much pride, son of Yans. thus, Loved not only proclaims the mestization of the races, but also of the religions, portraying the people of the Bahia. In this land, where magic and saints they live in harmony and if they mix, no people born here can declare ' ' puro' ' , he would be until an irony. Our people is glad, festeiro and of faith, the hibridismo gains multiple here forms, and the religiosidade, we could say, congregates a panteo the holy ghost to protect our people. The religion that we sight in the workmanship, faithful portraies the identity of the Brazilian, transparent, on people directly to the sensuality, marcante characteristic of the author who apimenta and desconstri the hegemony of the European colonial inheritance, making the counterpoint between the religiosidade (moral) and the sensuality (amoral). This confrontation is dissolved in a magical realism of one ' ' history of vencedores' ' of a Creole culture, a country mestizo: ' ' The subject is, in the truth, a war of powerful demiurges, deuses, a confrontation of cultures and races in search of ways and identidades' ' (SEIXAS, 2003, p.16). Our native land gains significant value at the hands of Loved Jorge, quereescreve the history of the Brazilian people, the crossbred people that constitutes 80% of the Bahia, plural hero of the amadiana narrative, plural hero of Brazil.